Last month, shortly after Edward Colston the Slaver was pulled off his plinth and dumped in Bristol's city dock the Mayor sent a dawn crew to dredge him out of the water and haul him off to a secure holding place. First thing the following day a fat concrete bloke, wedged in a wheelie bin was parked next to Ed's empty plinth. By dawn the next day the Binman had disappeared.
The weeks passed, no plinth action - until - 4am last Wednesday the famous sculptor Marc Quinn came down from London with a big crew and cranes and ropes and tv cameras to install a 3d printed effigy of Jen Reid, the woman who had climbed onto the plinth as soon as Edward Colston fell off it. The image of her punching the air had circulated around the world, Quinn and many others saw this as an iconic moment and this sculpture was christened 'A Surge of Power'. All of Bristol was agog and flocked to see Jen and take pictures, to praise or complain and argue about whether or not this was actual history or just fake history.
By dawn the next day, the Mayor's crew had removed Jen, putting her alongside Ed and the Binman. Marc Quinn had not been invited to interfere with our plinth and Bristol should decide its fate democratically.
Good luck with that - but the bar has been set and I am looking forward to the next contender.
Found Art
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George Herrick notes this oddity in his 1997 commonplace book: The record
of this U.S. congressional hearing on dirigible disasters contains an
inadvertent...
1 hour ago