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Over the years I have worked intermittently for this production company, mixing film production work with my other (quite different) freelance work. For the last few months I have been working here full time.
Our film crews are currently working in the US and in Africa. Miss Whiplash and I remain, up to our necks in budgets, schedules and cake, in the production office.
We hear from the field when there are problems; the Monarch butterflies have been unseasonably late arriving in Wisconsin and excessively cold weather has arrived in Africa. This weekend, after days without word from Africa I received a call from a cold and exhausted Director, he has decided to break camp and the crew will make a 2-day journey to another location which should be easier to work in.
Being in a good communication zone a new post has been emailed for the Botswana blog, it is full of details of the local wildlife and practicalities of making a film. Meanwhile back in the office the phone calls fill us with the visceral sense of how these projects lurch from triumph to tragedy.
Today I have dealt with a batch of invoices - they tell a story too.
Here’s a section from the African camp suppliers:
1 X replacement battery charger
2 X replacement radios
Long Johns
Gloves
10mm wing nut
Brazing Rods
5 X Famous Grouse Whisky
2 X cases of Red Bull
1 X box re-hydrate powder
Game Powder Energy drink
Rennies tablets (large)
1X bag of rags
1 X tarpaulin + 6 X duct
vehicle respray for filming vehicle*
re-modelling of filming vehicle
ski rope
*The standard safari vehicles in the area are white - ours is resprayed khaki, partly because a white vehicle is a distraction to hunting animals, but more importantly, as camouflage against other humans out on safari, once they spot a vehicle parked up, they pile over in their droves, creating an instant car park, which is also off-putting for the animals.